Tag: Photoshop

Quick Updates

Regarding the Rock and Roll call for entry, unfortunately I did not make it in. The juror, Paul Natkin, had a vision different from what I had submitted. I will be honest in saying that I was a little disappointed and that some of his selections left me scratching my head a little bit, but I did see where my images just didn’t fit in with his vision. I don’t doubt the man’s credentials – he’s taken one of the most iconic photos in the history of rock music (click here to see). I do want to extend a congratulations to all those who did get into what I am sure will be an extraordinary show. I’ll just have find another excuse to visit Minneapolis in the near future (better yet – Mankato – I love the topography of south central Minnesota).

Two other call for entries have garnered my attention. I am debating on whether to answer them or not at this point. The deadline on 1 of them is 1 December, so I have some things to think about.

This past summer and early autumn were particularly stressful for me. I decided to channel some of this into some more personal work for the semester. Here are 2 examples of this work:

Sketch 7

Sketch 13

I created a total of 14 of these. They received mixed reviews, mostly because there did not exist something to tie them all together. That, I confess, is a fair critique because all of these were reactions to different situations. A lot of my peers had their favorites. During the midterm critique, I was asked how I was going to make the audience want to look at them because they didn’t seem, to this person at least, to be something I was creating to visually please others. I didn’t remark at the time, but I did later answer that question in a private conversation with this individual – those who go up to see it will be the ones who want to take the journey with me. I didn’t mention the fact that I noticed this person did not go up to look at them closely. That’s a fact that made me think the question was a little unfair – if this person had gone up to view them closely, but felt forced to do so, it would have added a bit of intellectual weight behind the question. To be fair, however, it is entirely possible this person went up to look at them closely prior to my turn at critique, but absent any evidence of that happening, I will assume that this person did not. I was also told by another individual to avoid “art as therapy” as it is usually nothing more than a resting stop between projects. I remarked that these “resting stops” often are the genesis to some great things. This person then backtracked a little and told me that they weren’t trying to denigrate my work, but I’m taking that with a grain of salt.

The good news, at least in terms of the semester, is that I’m back to creating work that will satisfy the academics. I have the series discussed in my previous post (Condensed Information). This won’t be included in my final for the semester as the concept has morphed a bit and needs some more work to fully flesh out. I’ve also revived another concept that had to be put to rest due to equipment issues. This one is exciting to me and I will share it with everyone in about 2 weeks.

I’ve also been creating videos for my program’s video section. To be honest, if there is one thing that art school does well, it’s instill self-doubt in students. I have my opinions on why this is, but I’ll save those for a night when I’m feeling a little more akin to sounding off. Let’s just say that this section is the one where I feel the most in terms of self-doubt. But, here is one video that I think will become part of something good:

I’m finding that my work is trending toward focusing on the individual. I’m finding that everyone has a story to tell, and I find these fascinating. In fact, my to-be-revealed series deals directly with individual identity. With my previous portraiture series, I learned a lot about the people who participated, especially in the “Emotional Portraits” series. Through the video above (and subsequent series of videos I plan to make based off this), I may just learn something about myself. We will soon see.

I also have a couple of other concepts that I want to try out. These will start soon. For 1 I need to find a willing volunteer and the other I can start with a self portrait over the semester break. Actually, both will start over the semester break as that’s when I will have the time.

Last night I had a dream wherein I referenced, in a conversation with the other person in my dream, a past dream. I woke up this morning and my head was spinning from it. As I get ready to retire for the day, I wonder if something like this will happen again tonight. At one point I was keeping a dream journal. Things started getting a little vivid as I was keeping it and I stopped. I wonder if I shouldn’t start again with this dream.

Ok, these updates weren’t so quick, but things have picked up in the last month. I’m creating again, which is very good for me. I also still have a show to plan. At this point, I’m going to call it a night. Comments and questions, as always, are welcome.

Sources

A big part of what I like to do regarding photography is to draw elements from other sources and work them into my own art.  This commonly goes by the name appropriation.  The subject itself can be a thorny one.  There are issues of originality (think Sherrie Levine) and also, even more importantly, issues of copyright.  I tend to draw from things I know are in the public domain, such as Renaissance art and publicly available graphics (such as NASA or CDC photographs.  Even this gets a little thorny at times.  I read somewhere that Microsoft owns the rights to digital representations of the Mona Lisa.  I don’t know if that’s true or not, but if it is really does negate the concept of Public Domain.  Carrie Mae Weems ran into trouble with her “From Here I Saw What Happened and I Cried” series.  To construct that particular body of work, she borrowed prints (that were at least a century old)  from Harvard University and made prints of her own from the images.  She was subsequently threatened with copyright lawsuits if she displayed the work publicly.  I can understand Harvard being nervous about the physical prints, however, in my recollection of the law they had no copyright claim to the latent images contained within the print.  Copyright law is a gray area, indeed.

And how I’ve managed to go off on a tangent in my opening paragraph.  I actually intended to make this about stuff I find.

There is a place here in Houston called “Texas Art Asylum.” Inside this nondescript building is a veritable treasure trove of castoff items.  One can find post cards, cassette tapes, rusty nails, processed film, slides, photographic prints, old electronics, little green army men – let’s just say there is a lot of stuff contained in that establishment.  I mainly go in and purchase the prints, the processed film, and the slides.  It’s a good day indeed when $2.00 will yield you 155 frames of 35mm color film.    In my most recent visit, I acquired the aforementioned film, along with some medical school CT scan slides and a rusty spike (which will be used in an upcoming photo project).

Scanning the film and slides, however, is the hard part.  It just takes a long time.  I also had a bit of a backlog from my last visit to Texas Art Asylum.  Today I finally managed to finish the scanning of the new items and got to work on some of the backlog.  The backlog consisted of slides from E-6 film.  I don’t normally look at the slides before buying them (except for the medical slides).  I find the discovery process during scanning yields some amazing inspirations.  Imagine my surprise when I scanned the slides and found some  to contain images of Renaissance Art.  This was definitely a pleasant surprise.  I even found one of my old favorites:

Detail of the ceiling of the Florentine Baptistery

Detail of the ceiling of the Florentine Baptistery

I don’t know who painted this scene of Hell on the ceiling of the Florentine Baptistery.  The detail in the film is amazing, and having this particular piece from which to draw inspiration is going to be fun.  I even found one with an image of Titian’s “Venus of Urbino.”  I have many more to scan, and hopefully I can find some more classic art pieces.  There are only so many vacation pictures I can stand.

Anyway, I just thought to share this little tidbit with everyone.  Just for grins, here are 2 pieces I created using elements from other works.  The first is from my own photography as well as elements from items purchased at Texas Art Asylum.  The second is a creative commons digital representation of the “Rokeby Venus” and a CDC micrograph of an Ebola virus.

Mhothainn na Spirid/Mhothainn an Phian (2013)

Mhothainn na Spirid/Mhothainn an Phian (2013)

The Rokeby Virus (2011)

The Rokeby Virus (2011)